Thursday, August 21, 2014
A while back, ultimate fighter Ronda Rousey-- who made her film debut this month in EXPENDABLES 3-- called out comics "for being sexist." In her quote she sneers at Invisible Woman and Marvel Girl, and even finds a reason to downgrade Wonder Woman. It's a typically thoughtless celebrity quote, but a lot of full-fledged fans have made similar claims about the supposed marginalization of all female characters in the comic book medium. And though I've made some criticisms of the original Marvel Girl myself, Rousey's broad criticism sounds almost like it was derived from an almost identical oversimplification that appeared in Trina Robbins' THE GREAT WOMEN SUPERHEROES.
One of the many powerful heroines Robbins completely overlooks is the female member of the 1960s DOOM PATROL: Elasti-Girl. Perhaps she was overlooked precisely because she weakened Robbins' case re: marginalization. Like the other members of the team, the character was once an ordinary mortal who became "super" due to a cataclysmic event: after actress Rita Farr accidentally inhaled mysterious volcanic gases, she gained the power to grow to the size of a skyscraper or to shrink to the size of a mouse. The latter ability came in handy for the occasional espionage situation, but unsurprisingly Elasti-Girl spent most of her 1960s career "getting big." As the above panels show, the heroine could even enlarge discrete portions of her body at a given time.
Though her partners Robotman and Negative Man were both "heavy hitters" in their own right, Elasti-Girl was one of the first, if not the first, times that the female member was the "heaviest hitter" on the team. She and her fellow members perished in the DOOM PATROL's final issue, but her male compatriots were both revived in the 80s and 90s while Rita stayed dead. For all I know, she may have been revived in recent years, but I for one wouldn't mind if she'd been kept safely dead back in the period of her conception.
Wednesday, August 6, 2014
Many early 1960s Marvel heroines get a bum rap, but none more so than the Wasp.
She was introduced as a partner to the Ant-Man in TALES TO ASTONISH #44, the same issue in which the sketchy backstory of the main hero was given new depth. This story revealed that scientist Henry Pym lost his first wife to the Communist menace, and this later motivated him to devise his size-changing abilities in order to fight all forms of crime and tyranny, as the Ant-Man. But years later he met a potential replacement in heiress Janet Van Dyne, a much younger woman who returned his interest, albeit covertly.
However, in keeping with the slam-bang world of early superhero comics, no sooner did they meet than an alien monster killed Janet's father. She swore vengeance in the presence of Pym, so right away he revealed his costumed identity and invited her to become his crimefighting partner as the Wasp-- albeit with very different shape-changing powers, which extended to giving her Tinkerbelle-like wings in her miniature form.
Many fans have not liked the Wasp simply because she was not a powerhouse, and was often relegated to camp-following her partner-- who soon upgraded his powers as "Giant-Man"-- and as comedy relief. But these fans overlook that the Wasp was more than a source of woman-based jokes about going shopping and the like. The Pym-Van Dyne interaction was a bit like a famous quote explaining the appeal of the Astaire-Rogers team: "He gave her class, and she gave him sex appeal." Stuffy scientist Hank Pym didn't really have a lot of class to offer, but he did have scientific smarts and a sense of mission. Janet Van Dyne internalized many of those elements, but added her own very feminine take on all of the male alarums and emergencies. That's not to say that she invalidated those struggles, but she grounded them in a greater sense of everyday reality.
Over the years the Wasp received assorted power upgrades and became the Avengers chairman for a time. Currently she may be dead, though this probably won't last. Still, her original incarnation remains her best version; one that gave full reign to Stan Lee's phenomenal abilities to provide credible voices for a wide spectrum of comics-characters.