a DIACHRONIC study of the IMAGE of the POWERFUL FEMALE in POPULAR (and maybe other) CULTURES
Tuesday, April 1, 2014
YEAR 1957: HONEY WEST
As of this writing I've only read three of the eleven novels starring Honey West, one of the best-known female detectives of the 20th century, though her fame may derive from the one-season 1965-66 teleseries, featuring a very different version of the character.
The first three novels, collected as THE HONEY WEST FILES vol. 1, are breezy entertainments clearly aimed, despite their feminine star, at a male audience. Most of the writing by pseudonymous author "G.G. Fickling" was by one Forrest Fickling, though he got some collaborative aid from his wife Gloria. The titular Honey, like many heroes of both genders, gets into her dangerous business because her father is killed by criminals. She has no regular assistants, in contrast to the teleseries, but if the rest of the novels are like these three, readers weren't regularly picking up copies to see Honey trounce thugs with judo tosses. There are a few such scenes here and there, but-- in keeping with the target audience-- there are a lot more scenes in which Honey finds herself ogled and/or groped by a half-dozen males of varying quality in each story. Her character pretty much accepts this as the way of the world, but she does have a knack for the basic putdown and defends herself as well with words as with judo.
All that said, Honey does have brains as well as beauty, and she does solve her cases with some decent if far from exceptional detective-work. This might go toward explaining the less frequent use of violence; in contrast to the novels of Mickey Spillane, the Honey West stories are pretty firmly in the groove of the ratiocinative detective tale.
No comments:
Post a Comment