GHOST SADIST MIKAMI #21

In "Heart's Odyssey," Yokoshima loses his memory, and Mikami gets the idea to reprogram him into an upright citizen with aversion therapy. But Okinu misses the old perverted Yokoshima, and mousetraps her boss by sending the young horndog into Mikami's bathroom, so that her naked body provides a different form of "shock therapy."

     

Later, in "Master of Magic," Mikami shows her broad-minded tolerance of competitors.

GHOST SADIST MIKAMI #20

 When Okinu enters a high school that teaches ghost sweeping, Yokoshima goes nuts over the prospect of seeing a bunch of high school girls, even though he sees them all the time at his own high school. He only gets a couple of love taps this time from Mikami.

     

But the standout event in this arc (going by the online translation) is Yokoshima dissing Mikami about her being an "old hag" (of maybe thirty-one years). Surprisingly, she just drags the errant youth away from the high school, and it's not expressly stated that she beats the tar out of him, though that would be fully justified. Yokoshima of course is not in any way disenchanted with Mikami's charms; he's just temporarily swayed by another erotic target and talks trash about his boss to keep on point.

 

SON OF ARCHIE ANTICS

 

GHOST SADIST MIKAMI #19

 As romance kindles Mikami's heart, her urge to pummel her heart's desire grows exponentially in "Stand by Me."

 

Although her confusion is also shown by her withholding justified violence on one occasion-- which makes Yokoshima fear that she now "hates" him.

 

GHOST SADIST MIKAMI #18

 "Death Zone" starts off with Mikami in their usual modes.

  

But the advent of a goddess sends the two sweepers back to medieval Japan. There they meet their reincarnation-ancestors, with Yokoshima's being an exorcist while Mikami's is a demon, and of course both of the ancestors look roughly like their descendants. Though the demoness Mephisto is initially subservient to exorcist Takashima, she can't keep the dominant Mikami nature from surfacing.

 

In Mephisto's case, her animus proceeds from a sort of feminine modesty. To what extent such modesty influences Mikami remains an unanswered question.

   

GHOST SADIST MIKAMI #17

 Diverse scenes from "Danger Everywhere."

The above sequence is the only time (so far) Yokoshima calls Mikami "big sister" in this translation. This makes an interesting comparison to the way Mikami addresses Saijou, her unrelated first crush on an "older man," as "brother," in "The Man Who Could Summon a Storm."    

GHOST SADIST MIKAMI #16

 In "Battle with Wolves," Yokoshima flips over Mikami.

Also some contentions with a young girl, Sanae Himuro, in "Sleeping Beauty."